See also that the Shenzhou calligraphy and paintings from the Suiyang Yuan family collection of the Suixian Ming Dynasty nearly 150 million won the crown of the Jiade Autumn Auction
Yuan Jiashan
At the beginning of 2017, it was reported that on March 2, local time in New York, Mr. Tang Xiaoqian donated the famous Chinese landscape painting "Creek Bank Map" from the ming Dynasty Suiyang Yuan's collection to the Metropolitan Museum of Art in the United States, so that this thousand-year-old treasure will always flow out of China. At the end of the year, it was also seen that the single turnover of the calligraphy and painting treasure "Shen Shitian Sent Wu Zai'an Xingtu and Title" from the family collection of the Suiyang Yuan family in the Ming Dynasty was close to 150 million high, which was the highest among the 4 over 100 million lots in the Jiade Autumn Auction that year.
On December 18, 2017, the autumn auction set up a special session of "Grand View, Night of Worship and Celebration of the Four Seas and Ancient Times", where masters gathered and excellent structures gathered. In this scene, Shen Shitian's vast long volume "Sending Wu Wending Line Drawings and Inscription Volumes" from the Ming Dynasty's Suiyang Yuan family collection in Henan is particularly dazzling, in order to see his heavenly craftsmanship and defamation of friendship, this volume is like the Yangtze River, a thousand mountains, when Shen Weng's first stroke. (Hong Kong Lawrence Auction, Appraisal 186 (8247) 4297)
The exquisite and precious collection of the Suiyang Yuan clan in the Ming Dynasty has once again attracted widespread attention from people, setting off ripples in the field of cultural relics collection.
The Suiyang Yuan clan of the Ming Dynasty, also known as the Suizhou Yuan clan, whose collection is centered on the Bingbu Shangshu Yuan Kelizi Yuan Shu, extending to several generations of descendants, the collection is hugely rich, is the late Ming dynasty calligraphy and painting and collection connoisseurs. The "Records of Paintings of the National Dynasty" states that "Shu Erudite is good at ancient learning, fine appreciation, rich collection, gong calligraphy and painting, recommended by Dong Zongbo of Huating and Wang Juesi of Mengjin." Wang Shimin called him "a ring of envoys, both a craftsman and a rich collector." Li Yingqiu is the ancestor of the scholars, and the Minang Palace is the ancestor of the Jingjian. Therefore, the famous relics of Jing, Guan, Dong, and Juzhen were returned to their homes. ("Smokers Inscription · Title Self-Painting Guan Envoy Jun Yuan Huanzhong")
After Ming and Later Jin fought each other, his father Yuan Keli plotted against Nurhaci's son-in-law Liu Aita, so that the Southern Fourth Guard occupied by Later Jin would be returned to the territory of the Ming Dynasty, and Yuan Shu would also transport grain for the Ningyuan Ming army, and eventually died of hunger strike in Nanjing. The legacy of Yuan's father and son was banned in the Qing Dynasty by the "Prison of Words". Lu Shihua's "Records of Calligraphy and Paintings Seen by Wu Yue" was the misfortune of being nearly destroyed and hunted down because of the inclusion of Yuan Keli's "Jiehuan Yuan Gongxing" and Yue Fei's "Records of the Jingzhong ancestral hall of The King of Song Zhongwu", and Weng Tonggong actually mistakenly judged Yuan Shu and Yuan Fucheng's father and son that "they are undoubtedly one person" in the "SongguiTang Thesis" because they did not examine the Suiyang Yuan clan. Because of this, since the Qing Dynasty, it is difficult for counterfeiters of calligraphy and painting to take into account the seal of Suiyang Yuan's collection, while today's connoisseurs judge that calligraphy and painting have Suiyang Yuan's father and son's collection of seals as the basis for authenticity. In recent years, the Metropolitan Museum of Art has invited the world's top Scholars of Chinese Painting and Cultural History to hold academic seminars to conduct a huge debate on the falsification of its collection "Xi'an Map", and finally some scholars have paid attention to the collection seal of Yuan Shu in Suiyang, and recognized that "Yuan Shu at the end of the Ming Dynasty was the culmination of Dong Ju's works in Jingguan, and the largest number of Dong Ju's authentic works were transmitted through his collection", as an important trace reference for the orderly delivery of the collection.
It is not difficult for careful readers to find that the seals and inscriptions of this calligraphy and painting work of "Shen Shitian Sending Wu Zai'an Xingtu and Inscription" still mention the similar and different titles of "Suiyang Yuan" and "Suizhou Yuan", and the seal in the front has "Suiyang Yuan's Family Collection Secretary", and the back Wu-style Fenba language is also called "Suizhou Yuanshi", which is a bit confusing. Due to their age, some of the names and designations do seem a bit confusing and unfamiliar today. Today's Sui County in Henan was called Suizhou in the Ming Dynasty, Suizhou stationed in the Ming Dynasty Suiyang Wei army, Yuan clan ancestral suiyang Wei shishi, so according to the division of the organization at that time called it "Suiyang Yuan" instead of "Suizhou Yuan". The Yuan clan passed down to the eighth generation that Yuan Keli (Yuan Shu's father), the official to the Bingbu Shangshu Prince Shaobao, the world called his clan "Suiyang Shangshu Yuan Clan". The "Henan Tongzhi Suixian Interview Draft", revised in the 22nd year of the Republic of China, refers to his clan as "Shangshu Yuan" (to show that it is different from another ethnic group of Suizhou Yuan, "Terracotta Yuan"). In today's Beijing Confucius Temple's "Ming Jinshi Inscription", it can be clearly seen that Yuan Keli's place of origin is recorded as "Suiyang Wei" instead of Suizhou, which is actually somewhat similar to the difference between Shihezi City in Xinjiang and "Agricultural Eighth Division" today. After the Manchu Invasion of the Central Plains, Suiyang Wei was gradually abolished and collectively known as Sui Prefecture until the Republic of China was reorganized into Sui County.
This volume was first collected in Wu Kuan's home, and then obtained by the great collector Wang Shizhen of the Ming Dynasty, and the Ming Dynasty was owned by the First Auxiliary Changshu Yan Ne family, and entered the Suiyang Yuan Shu in the late Ming Chongzhen period. At the beginning of the Qing Dynasty, it was handed over to a generation of great connoisseurs Liang Qingbiao and Wang Baoling, Qian and Jiashi transferred to the Shen Ci family in Songjiang, returned to Hangzhou Xu Naipu in the late Qing Dynasty, and then returned to the clan chamber Sheng Boxi and Ai Xinjue Luo Baoxi, which had reached the beginning of the Republic of China. A number of collectors collect, the above collection inscriptions are at the beginning and end of the volume, the painting heart to maintain the original appearance, especially Suiyang Yuan's appreciation seal as many as 18 places, is so far seen Suiyang Yuan's collection of the most seals, none of them do not avoid the heart of the painting, it can be seen that the degree of love of successive collectors for this volume.
Although the Suizhou Yuan family collected everyone in the north at the end of the Ming Dynasty, although they were destroyed by wars and wars and man-made disasters, and even many collections have crossed the ocean to change their owners, there are still traces of Gaidai traces from suiyang Yuan's family that can still be seen as a grand view, which can be examined by "Song Tuo Chunhua Ge Ti" (Quanzhou Ben) (Shanghai Library); "Song Gui Tang Ti" (Beijing Palace Museum); Dong Yuan's "Xiaoxiang Tu" (Beijing Palace Museum), Dong Yuan's "Xiashan Tu" (Shanghai Museum), Dong Yuan's "Xi'an Map" (Metropolitan Museum of America); Xiao Yi earned Lan Ting Tu (National Palace Museum, Taipei), Ju Ran's "Map of Layered Rocks and Trees" (Taipei National Palace Museum), Ju Ran's "Qiu Shan Tu" (Taipei National Palace Museum), Ju Ran's "Chibi Tu" (Wang Jian's "Antique Giant Book"); Wang Wei's "Shanyin Map" (Taipei National Palace Museum); Tang Yan Lugong's "Poems for General Pei" (Dong Qichangbao's "Poems of General Pei presented by Yan Lugong"): "Yan Lugong's Poems for General Pei"..., which is now received by Bo Ying (Yuan Shu), and Bo Should be brought by his honorable duke (Yuan Keli) shogunate. Song "Gu Kai's Luoshen Endowment Scroll" (Liaoning Provincial Museum); Song Tuosheng's "Song Tuosheng Teaching Order" (Dong Wenmin is the Huanzhong Si Nong Inscription); Yuan Wuzhen's "Xishan Shenxiu Tu" (Beijing Palace Museum); Yuan Xianyushu's "Su Shi Haitang Poetry Scroll" (Beijing Palace Museum); Ming Shen Zhou's "Sending Wu Zai'an Xing Scroll" (Japanese Kadokawa Family); Ming Xiangzi Jing carved "Tang G Lan Ting" (Zhang Zhao's "Tian Vase Zhai Calligraphy and Painting Inscription, Bao Xiangzi Jing carved Lan Ting"); Ming Dong Qichang's "Shu Lin Yuanxiu Tu" (Tianjin Museum), Dong Qichang's "Lesson Draft". (Museum of Fine Arts, Boston, USA), Dong Qichang's "Ji you Atlas" (Anhui Provincial Museum); Wang Duo's "Snow Scene Bamboo Stone Diagram" (Jinan Municipal Museum), Wang Duo's "Single Pepper Xiuze Axis", Wang Duo's "Book of Poems for Yuan Shu" (Yang Sisheng, USA), Wang Duo's "Xiandi Ti"; Zhu Yunming's "Zhengde Xingning ZhiXu"; Wang Pet's "Self-written Poetry Volume", etc.
Many of them are rare and orphaned products at home and abroad, and they are by no means those who can be discussed by the value of a mere hundred million yuan.
I want to give the famous paintings of the "Four Sources Hall" that he has treasured all his life to his nephew Yuan Shu at a nearly equal price, and his original intention and intention should be returned to his master. Now a single painting and calligraphy from the Suiyang Yuan family has been auctioned for 150 million yuan by later collectors, seeing the ancients' concept of "a thousand gold scattered and returning", looking at today's materialistic desires several times the price, but also sighed that there are many people who can't bear to say anything! However, after all, the ancient paintings have been passed down to this day, which is a grand event in cultural history, and it is also full of the fist and fist efforts of collectors of all generations who have not spared money to inherit my Chinese culture.
The calligraphy and painting treasures from the Yuan family in Suiyang in the Ming Dynasty can be passed on, which is really a blessing in misfortune. In the fifteenth year of Ming Chongzhen (1642), Yuan Shu's hometown of Suizhou City in Henan was successively hit by Li Zicheng's war and river floods, and the calligraphy and paintings and rare books in the first library of Yuan Keli Shangshufu were destroyed, and only these few frame scrolls traveled thousands of miles back and forth for Yuan Shu to protect him from the disaster of war, which has been passed down to the present day and has been passed down to the history of famous painting collections in China and even the world. Wang Duo saw that Dong Qichang's "Xiaoxiang Tu" in Dong Qichang's "Four Source Hall" had been restored to the human world at the Yuan Shu Residence in HushuGuan, and he was very excited to put this good thing on the end of the volume. Bao Yun: "Yuan Jun's collection is such a treasure, Kui Qiu City has fallen into a family, and it is not advisable to be yu and fast for this number of frames." That is to say, Yuan Shu's hometown of Suizhou, Henan, suffered from the looting of the displaced people's army and the flooding of the Yellow River, and there was no home, but it was not a very pleasant thing to have a few good paintings preserved and treasured with him.
In the first month of the first year of the Southern Ming Dynasty (1645), the rebel general Xu Dingguo killed the Southern Ming general Gao Jie in the "Library Building" of Yuan Keli Shangshufu in Suizhou (present-day Sui County), Henan Province, with a feast of song and wine, causing chaos in Suijing, affecting hundreds of miles, and another disaster for the Chinese calligraphy and painting circles, and a fire burned the ancient books and paintings that Yuan Keli's son, Yuan Shu, had carefully collected for several years. Xu Thief chose the "library building" of the Yuan Mansion to feast on Gao Jie, which was very paralyzing to ambush and kill Gao Jie from the location, because the "Library Building" of the Yuan Mansion was a major collection place operated by Yuan Keli and Yuan Shu's father and son for many years, and there were the orphans of the Five Dynasties of the Southern Tang Dynasty, such as Jing, Guan, Dong, and Ju, who were highly valued by Dong Qichang, Wang Duo, Zhang Geng, and other Ming and Qing giants.
After two disasters, the Yuan family's collection has been lost for most of the time. If "Shen Shitian Sent Wu Zai'an Xingtu and Title" can survive to this day, it must also be Yuan Shu who carefully selected those who escaped from danger in the midst of all difficulties that regarded treasures as treasures.
Let's focus on what kind of object this family collection calligraphy and painting "Shen Shitian Sent Wu Zai'an Xingtu and Title" from the Ming Dynasty Suiyang Yuan's family collection that won the crown of the 2017 Jiade Autumn Auction is
Daguan - The Night of the Four Seas' Worship Celebrations in Ancient Times
Auction time: Monday, December 18, 2017 at 10:00 pm
Auction venue: Guardian Arts Centre, Hall A
456 Shen Zhou (1427-1509) Sent Wu Wending a line drawing and an inscription Scroll Hand-rolled ink on paper
Volume: 23.5×27 cm; Shen painting: 31×1089 cm; Shen zi: 31×108.5 cm
跋1:27.2×137 cm;跋2:31×200 cm
跋3:22.5×26.5 cm;跋4:30×64 cm
Full roll length: 1652 cm (1 m 652)
Seals: Qi Nan (seven times), Ishida
Inscription: Give the king shame without purple jade, and give the king no gold basket. Paint a mountain for the jun ten days, and paint a water for the jun five days. If you want to hold a spirit show and imitate a king, sit in the country and mountains and despise it. Standing still and long, but the heart of the king is comparable. Junchu is like a house in the field, and Fu was like a suburb that lost his third son. Fang Qi's own way is against his own way, and he is calmly entrusted with orders. When the time comes to offer advice into the bright light, two yuan to the hand and wait for the probe. The long jacket was not conducive to speeding away, and the phoenix was shocked by the sound of three years. At that time, everyone who heard about it was happy, and they were idle and unpretentious. The chest has been raised in a huge way, and all the money has been lost in the vastness. There is no incompatibility between the general and the detailed, as if this is all right. Cut Qiong as a pillar to pluck teeth, and use the final whiskers of the white jade hall. Returning to cry and mourn the destruction of feet, the town day to talk about raw porridge. I was persuaded to enter the flesh because of my thinness, and I saw the sackcloth in tears. The piano kimono Jidang travels north, and the townspeople carry the Road envy Dengying. The family buys books to teach children, and the underground father-in-law is not proud. The article is only old and more successful, and it is a vast work of the present. Night snow Huaixi trampled geese, autumn wind Chibi beckoned lone cranes. Its words are that the ancients and the present should be rooted in the forest of words. Long Yan was the first son of my cousin, and he was subtly explaining the deep friendship of the past. The poem is also a min pad drowning, pushing me to forget the world's heart. Sound and light are the corporals of the world, and the first worry is after the lejun must be appointed. Wu TaiShi Yuanbo, ben qixian doctor's funeral return to Su. At the end of the system, bid farewell to the township to do it. Yousheng Shen Zhouzao this chase at the end of the ancestral path, resignation, foot for gifts, too Shi Ning did not teach me?
Collector's Seal:
The person who tasted the most Tibetan seals was the Suiyang Yuan family from Henan. According to the chronological order of the collection, it is described as follows:
Wang Shizhen: Zhen Yuan, Qiankun Qingxiang, Ariake Wang's Book Seal, Fuzhi Yunyang and other places to guard a total of four seals
Yan Ze: Yan Ze's Seal, Western Man, Yan Ze's Private Seal, Daopu (Seven Times), Yan Daopu Book Seal, Daopu's, Yan's Daopu's Seven Thirteen Seals
Yuan Shu: Seal of Yuan Shu, Seal of Calligraphy and Painting of Yuan Boying's Family Collection, Shu (Seven Times), Yuan Shu Seal Letter, Boying Seal, Yuan Shu's Treasure Seal, Yuan Shu's Seal, Suiyang Yuan's Family Collection Secretary, Shi Yu, Shi Yu, Bo Sinong (Half Seal), in Lu Garden, counting twelve kinds of eighteen seals, is the largest number of suiyang Yuan's single picture seals seen so far, of which "in Lu Garden" is the first time to see in the previous Yuan cultural relics collection. (According to the Suizhou Chronicle: "Yuan Keli) Lu Yuan is inside the Mingfeng Gate.") "Daozang Jijiao in Lu Zhaoxiang": "Xiangyi has Yuan Jiashan, and the Ming Bingbu Shangshu Yuan Ke stands in Lu Garden." ”）
Wang Yanling: MaoHu treasures the secret, counts a seal
Wang Qiansun : TiFu was approved by the eyes and Wang Qiansun, and the second seal was counted
Xu Naipu: Diansheng Naipu (second time), Dian Sheng's collection (second time), Xu NaiPu Yin, Kan Xi Zhai, Kan Xi Zhai calligraphy and painting seal, Xu Nai Pu Yin, Dian Sheng, Chen Xu Nai Pu (second time), Chen Xu Nai Pu, counting nine kinds of twelve seals
Liang Zhangjun: Approved by Zhilin, counted as one seal
Tingyong: Tingyong approved, Tingyong has borrowed and read, counting the second seal
BaoXi: Shen An Long Objects, Shen Kan Approval, Xi, Shen An Pingsheng True Reward, Bao Xi, Shen Xi, Hou Bao Xi, Shen Xi twenty years of energy gathering, eight seals
Jincheng: Wuxing Jincheng Chapter, Jincheng Seal, Jin Gongbo Jingjian Seal (secondary), Gongbo Pingsheng True Reward, Jincheng Linjie, Jincheng, counting six kinds of seven seals
Other unspecified collector information seals: Zengzang Shu Yishanjia, Zhang Wei (twice), Zihou (half-seal), Transcendent Room (five times), Jiang Yun's Seal, Wu Renzihou, Yuanli Zhai, Changzhou Wu Renzihou Treasured Seal, Jiang Lian's Private Seal, Jin Lu's Seal, Wang's Treasured Calligraphy and Painting Seal, Hanhuige Book Seal, Jiading Cheng Zuqing's Golden Stone Poetry Calligraphy and Painting Record
label:
1. Liang Qingbiao: Shen Qinan is layered with mountains. Banana grove appreciation.
2. Wang Qiansun: Ming Shen Ishida sent Zao An out of the mountain long scroll. Huating Shen's Ten Peaks Collection. Tifu question. Seal: Wang Qiansun
3. Sun Yuwen: Ishida Weng gave Wu Zai'an scroll. Bo Xi Matsuri Wine Collection. Sun Yuwen inscription. Plutonium Printing: Yuwen Private Printing
illustrate:
1. There is an inscription of Shen Zhouchang's poem after the picture scroll, which is said to have taken three years to complete and was given to his friend Wu Kuan. Wang Shizhen of the Ming Dynasty, Yan Ne YanZe father and son, Yuan Shu; In the Qing Dynasty, Liang Qingbiao, Wang Yanling, Shen Ci, Xu Naipu, Sheng Yu, and Bao Xi handed them to Tibet. According to Zhu Shengzhai's "Catalogue of Famous Chinese Paintings Seen Overseas", it was once returned to the Harada Goku clan of Hyogo (Prefecture) in Japan, and two copies of the Koro edition were produced in a volume, which was published in the 545th issue of the famous Japanese art magazine "Guohua" (April 1936 issue). In the winter of 1956, the Chu clan was viewed at the residence of Kadokawa Genyoshi, the owner of the Kadokawa Bookstore in Tokyo, as a descendant of Harada.
2. According to Shen Zhou's inscription and The inference of Wu Kuan's return to Beijing, it should be made between 1477 and 1479. In 1477, Shen Hengji's father Shen Hengji (1409-1477) died, and Wu Kuanwei wrote an epitaph; In 1479, Wu Kuan returned to Beijing after serving his father's mourning period, and Shen Zhou made a trip for Tu Rao.
publication:
1. Guohua, No. 4, 1936 (No. 545), Kokukasha, Japan, 1936.
2. "Catalogue of Famous Chinese Paintings Seen Overseas", by Zhu Shengzhai, pp. 41-43, Figure 29-Figure 32, SHKP Publishing House, Hong Kong, 1958.
3.《The Field of Stones, A Study of The Art of Shen Chou》，Richard Edwards,p29，by Freer Gallery of Art, Washington ，1962。 (Ishida: Shen Zhou Art Studies, Ericss, Freer Museum of Art, Smithsonian Institution, "Oriental Studies")
4.《Chinese Painting: Leading Masters and Principles》PartⅡ,The Later Centuries,vol.VI，Osvald siren，p186， New York: Ronald Press Company， 1973. (History of Chinese Painting - Masters and Laws, Xi Renlong)
5. Parting at the Shore, Chinese Painting of the Early and Middle Ming, p. 72, Weatherhill, 1978.
6. "Shen Zhou - Ren Art", pp. 193, 194, Kyoto Mandarin Bookstore, 1982.
7.《The Painting of Tang Yin》，Anne De Coursey Clapp， 74-75页，University of Chicago Press，1991。
8. "Imitation" Research on Landscape Painting of Wumen School, p. 154, Hebei Education Publishing House, 2010.
9. "Chronicle of Shen Zhou's Paintings" (volume 1), pp. 88 and 89, Tianjin People's Fine Arts Publishing House, 2012.
Description:
1. "Coral Net" (Wang's Coral Net Famous Painting Inscription, Volume 13), by Ming Wang Zhenyu, Volume 5 of the Complete Book of Chinese Calligraphy and Painting, pp. 1110, 1111, Shanghai Calligraphy and Painting Publishing House, 2000 edition.
2. "Qinghe Calligraphy and Painting Boat", written by Ming Zhang, the fourth volume of the Complete Book of Chinese Calligraphy and Painting, pp. 362, 363, Shanghai Calligraphy and Painting Publishing House, 2000 edition.
3. "The Journal of Authentic Works", written by Ming Zhang, the fourth volume of the Complete Book of Chinese Calligraphy and Painting, 411 pages, Shanghai Calligraphy and Painting Publishing House, 2000 edition.
4. Pei Wen Zhai Calligraphy and Painting Notation, Volume 87, Compiled by Qing Wang Yuanqi et al., Pei Wen Zhai Calligraphy and Painting Notation, Vol. 5, pp. 4083, 4084, 4686, Cultural Relics Publishing House, 2013 edition.
5. "Examination of Calligraphy and Painting of Shigutang", Qing Bian Yongyu, two volumes, one page.
6. "The Collection of Paintings of the Various Families", written by Qing Li Tiaoyuan, vol. 10, three pages.
7. Treatise on Chinese Painting, Vol. II, pp. 896, 897, Anhui Fine Arts Publishing House, 1995.
8. Catalogue of Famous Paintings of Japan's Present Indochina, Oizuka Art Society, 1936.
9. Shen Anniversary Genealogy, p. 149, Fudan University Press, 1993.
10. Ming and Qing Dynasty Chinese Painting Masters Research Series: Shen Zhou, p. 226, Jilin Fine Arts Publishing House, 1996.
11. "Research on the Relationship between Poetry and Painting in Suzhou in the Middle Ming Dynasty", pp. 109, 267, Shanghai Culture Publishing House, 2007.
12. "Chinese Cultural Knowledge Reader: Four Houses of The Ming Dynasty in the Painting World", Jilin Literature and History Publishing House, 2010.
13. "Ming Si da ren studies and art appreciation: Shen Zhou", p. 175, Hebei Education Publishing House, 2011.
14. Shen Zhouji, p. 384, Shanghai Ancient Books Publishing House, 2013.
15. Yu Dan, "Shen Zhou's "Farewell Map" Research", pp. 54-55, Master's Thesis of East China Normal University, 2014.
16. "Yaju- A Study of Shenzhou Literati Circle", pp. 168, 169, National Library Press, 2015.
Shen Zhou Question
Volumehead
label
By Word:
Shen Zhou's life was extremely widely traveled, and his friends included scholars, poets, and calligraphers and painters. There are eunuchs in the dynasty and there are recluses in the opposition. There are sages in the townships, and there are also hanshi in the middle of the country. No matter what the ancestors learn, they can treat them with courtesy and be kind to them. And the friend he knew most in his life was Wu Kuan.
Wu Kuan, also a Wumen native, was eight years younger than Shen Zhou. He was a young but learner, and he was well-known in his writings. When he was young, he was repeatedly deposed in the house, and at the age of thirty-six, he finally entered the court as an official by ranking first in the examination and the court examination, and always received the emperor's favor, and the official died in the rebbe Shangshu. He "walked in a high manner, not to be radical, but to be self-righteous." "Good poetry, deep and depressed into its own family." Especially good at calligraphy, straight into the room of Su Dongpo, and Park Maoyazheng, can be called everyone. He and Shen Zhou have known each other since their youth, singing poetry, calligraphy and painting, and friendship remain unchanged until old age. Wu Kuan, Shen Zhou was seventy-eight years old, smelling the pain and weeping, there is a poem that says, "The old man of Bai touYe dies first, and turns to the autumn wind and cries." "It's a true life-and-death relationship.
During the decades of their interaction, Shen Zhou gave Wu Kuan a lot of calligraphy and paintings. Among them, the "Dongzhuang Atlas" of the Nanjing Museum in present-day Tibet is the most famous. The other "Sending Off Map" landscape long scroll is a magnificent giant production that he has painstakingly managed in three years, with ten days, one mountain, five days and one water, and has devoted his efforts and strength to carefully compose a magnificent masterpiece, which can be called the finest in his life.
This long volume, "Send Wu Wending Line Drawings and Inscription Volumes", is 31 cm high and 1089 cm long, ink on paper. Because it is a gift of thousands of miles, it begins with a road that winds along the edge of the mountains and rivers, then enters the hills and mountains, turns into deep valleys, and from the layers of mountains in the south of the river, the deep forests, the isolated villages and wild shops, to the empty and wide river that meets the sky in the distance, and the dangerous peaks and ravines that are dangerous cliffs and clouds. Whether the mountains are high and densely forested, the water is remote, but there must be a furrow path to pass, or a wide canal, or a boardwalk, or a long bridge with a winding path, twisting and turning, looming, there are always roads in between. Between the deep mountains and dense forests, there are springs everywhere, there are mountain villages, there are mountain villas, there are mao pavilions where you can rest and play the piano, and there are boats that can cross the river and wade. With the intention of the environment, with the warmth of the veins of the friends, the dangerous mountains and rivers that have traveled thousands of miles have been replaced by the magic of the beauty of creation, with such good wishes, Shen Zhou has painted the most spectacular landscape paintings of his life with the efforts of a thousand days. Just like the warmth in his heart, the bottom of his pen is also particularly religious, one tree and one stone, from the giant rock to the hill, to the boat walker, the trestle house, the painting is extremely rigorous, meticulous, and full of energy, relaxed and free. The pen is extremely deep and beautiful, and the ink is extremely moist and pure. There is the majesty of the Song people, and the elegance of the Yuan people. Among the song and yuan people, there is no slight inferiority. The Ming Dynasty Wang Shizhen was praised and sighed, thinking that especially above the "Dongzhuang Tu", "when it was Weng's first stroke", "it was Wang Ye in the painting." "Shi Zhen has an outstanding vision, full of economy, full of fame, collecting A Southeast, talking about art, doing his best, calling "Weng the first stroke", "the king of paintings", it is not a lie. Ming Zhang ugly's "True Deeds" also determined that this volume was "undoubtedly the first divine product of Qi Nan", and all of them were commented on. The collection of the Suiyang Yuan clan at the end of the Ming Dynasty was once promoted by the calligraphy and painting giants Dong Qichang and Wang Duo, and its collection was even more convincing to everyone in the north and south.
In addition to Wang Shizhen's nearly a thousand words of poetry, there are Zhang Jiuyi, Cheng Yingkui, Zhou Tianqiu, Wang Yanling, Wang Qiansun, Chen Jieqi and other Thirteen Ming and Qing Dynasty patriarchs. In the middle of the Ming Dynasty, it was treasured by Wang Shizhenshi, and after the Wanli Period, it was owned by the Yan Ne family of Changshu, the head of the Ming Dynasty, and Chongzhen entered the hands of Yuan Shu, the Shangshu of the Ming Dynasty, and was passed down through Yuan Shucheng and Fu Chen, and was passed down in the Suizhou Yuan family for half a century. Like many other Suiyang Yuan family collections, they later flowed into the early Qing Dynasty's great connoisseur Liang Qingbiao, and then passed them to the Collection by Wang Baoling, Qian and Jiashi transferred to the Shen Ci family in Songjiang, returned to Hangzhou Xu Naipu in the late Qing Dynasty, and then returned to the clan sheng Boxi and Ai Xinjue Luo Baoxi and Ai Xinjue Luo Baoxi, which had reached the beginning of the Republic of China. In the meantime, there are still many people who have started and looked over, no longer pointing to Chen one by one, the circulating experience has been chiseled and examined, and its paper collection is tired, but it does not damage the picture, and the careful and cherished heart of the various families when they enjoy and play are faintly visible at the end of the volume. Therefore, the vicissitudes of the world for more than 500 years, as if preserved as new, sincerely for the grand view of the art forest, the world does not see the famous products, the knowers cherish it, its cherished!!
Volume:
Sheng Yu Title: "Meng Shu Ji Ishida Shiluo Qu Zhongxuan Gong Cultivation Shi Zhai Ishida Poetry Notes Appendix", Mr. Zeng grew up in The Eight Years of the Zao'an, and when the Zao'an was not in the first place, he sang a lot with mr. The official of the Temple of Sorrows was revised, and returned to the province with his father's illness, so that the final system was completed. Chenghua Pengshu (1478), Mr. Has the poem "Rainy Night Stay in the Zao'an House", Zao'an has a bamboo village in The South of the Qi, reads Li Cheng's paintings, looks at the Shang Father Yi Zun, and has five words and modern poems. Traveling to Yushan Mountain, there are three ancient poems with five words. It was Nian Zai'an who composed "Longchi Shingen Table" for his father Tongsai. In 1479, Ji Hai (1479) served the imperial court and returned to Beijing, and Mr. Ji Hai (1479) had a long seven-word farewell. (There are hand scrolls for gifts, which are five inches long and are three years long.) The family of Si Kou, the King of Taicang. Hongzhi Zhongzai'an as a servant, Ding Ji no worries, Ding Wei (1497) except, Su Qinan House, wind and rain masterpiece, there is a rhyme poem "Visiting Qi Nan Zhou Zhongwang Yu Shan Yi and Qi Nan Traveling with Twenty Years", there are seven words and modern poems. In March, The Temple went north, and Qinan had a farewell poem of "He Dongpo QingxuTang Rhyme", saying that it was difficult to say goodbye to old age, and the boat was sent to Jingkou. On the way to the temple, there is a poem, there is a sentence "The staff is from the day, the Linqi poetry coupon is the most reliable", Mr. Ji Yunyun: "The guest side of the cherry shoots are still rustic, and the night is clear about the wine." "We haven't seen each other since. Guangxu Xin Di (1891) Shangyuan Bo Xilu. Seal: Zongmu Sheng Yu Boxi, Yuhua Ge Jinshi Script
Send Wu Wending line drawings and inscriptions (published book shadows)
Back paper:
1. Wang Shizhen title: Jun does not see Bai Shi Weng, the ink flowers break through ten thousand papers, scattered in the eyes of the world. In the meantime, every inch of the ground, stored a tai shi gong. It was when Taishi called Wu Nong, three years of Lei chung of pan Weng chest. Too historical and interesting, green birds linger in the spring wind. There are tears that do not make Li Duwei, and there are endowments that do not imitate Jiang Wentong. Straight three inches of pipe, five Zhangsu, write out Jiangnan Qianfeng and Wanfeng. Collect all the Shu tips and overwhelm the Taishi Xi Servant. The cliff went straight up to the high vault, and the breath seemed to be full of heaven. Suddenly, he fell thousands of feet and leaned over to enter the Shrew Palace. The path of the intended one is absolutely desperate, but there is a cloud seal. Endless flow through the ages, wash out the jade exquisite. The side ear will listen to it, suspected to be a mixture of essences, bursting into a group of spirit holes. Longbiao invisible, hundred grass and mushrooms. The column lacks the cliff and spits out a strange pine. Yu Bao, Qu Pan Dragon. Will collapse the stone like a dance, want to break the continuous bridge flying rainbow. There are drinkers, young fishing boys, or riding donkeys, or driving sternwheels, or waddling, or short-cut. The tall wear wood, and the end is like a great one. The next one staggers like a lonely one. The two instruments cannot be the Lord, and they are at first and first. The two dimes are uncertain, and the west and the east are. The wooden stack argues with the birds, and the people try to open the windows. Gradually impoverished to the point of mist, but there is no way to go. The yuyun paper was not exhausted, and the chaotic stone fists were scattered. Zhen Zai wept and complained that God was useless, and Taishi could not go to heaven for a long time, and wandered into the human world into a Chu bow. Weng also summoned the main city of Hibiscus, but made the residents a few times, and the show was dripping with green. Hit Dong Yuan, Meteor Guan Tong. The bottom of the pen swept away the pouring of the sect, Shen Weng Haohan was so majestic, whining, long zhun's grandson Will Bilong.
Bai Shi Weng's life stone was handed over to Wu Wending Gong, and the figure was given to the person who gave wen Dingxing, the volume was several five zhang, and it began in three years. Grass trees, water and stone bridges, none of them are from the ancients, and a natural opportunity in the chest is sent. Strange, all kinds of truths. As for the aura, it is as new as the eye. Falling ink point, a unique path. There are many old paintings that you have read, and there is no such thing. Let the Yellow Crane Mountain Tree and Mei Dao people see it, but they go three times. Dong Beiyuan and Juran Shi were shocked and cried: This son is out of the blue, hiding my name. Connoisseurs also know no. Shiraishi Ong, painted Saint also. Or this volume is especially the painting of Wang Ye. Regardless of Dai Wenjin and Tang Bohu, that is, the famous masters of the Shengguo, the domain can reach it, or the Eastern Pod Diagram can be used to the Lord Qi Alliance, but it is thirteen paintings, each of which is one. This volume is like the Yangtze River, a thousand mountains sandwiched, when it is weng's first stroke. King Shizhen of Langya. Plutonium Seal: Yuanmei, Tiantao Resident
2. Zhang Jiuyi Question: Runan Zhang Jiuyi View.
3. Cheng Yingkui: In the winter of October of the Wanli Reform (1573), Yushan Cheng Yingkui and Wu Junzhang Fu and Huang Runfu paid homage to An Qingzhou. Seal of Plutonium: The seal of the word Mengru and □ Blessing
4. Zhou Tian Qiu Title: Ding Ugly (1577) June both hope to borrow the Tatami Mountain Hall, the exhibition play is a volume, really can spend the summer, because it is remembered. Celestial Ball of the Week. Seal: Qunyushan people, Zhou clan public flaws
5. Wang Yuanfan title: Jun is not seen, there are Tang paintings of saints pushing Daozi, Xiangcheng Shen Zhou is nothing like. This volume of mountains and rivers is the most peculiar, and the five-mile end is collected for thousands of miles. There is a path to the rock, and the ridge is broken at the Lylen Palace. The front and back mountains are connected by clouds, and the deep valleys of Gaoling are in the middle of the sky. The wild pavilion pine fence contains the sunset, and the only woodcutter is out of the mountains. The sand edge is shallow and scattered like smoke, and the flat forest at the end of the day is slightly like a thorn. The peaks of the group open one by one, and the rainbow beams across the water turn around. A few rafters of thatched huts sit on green streams, and several walls grow green moss. The land is not a peach blossom source, and people avoid Qin guests. Even if the fisherman is everywhere, he should be recognized as the immortal house. The picture is more clearly distinguished, and the three-year-old concentration painting began. Painting a treasure is not a secret, and the bachelor will be given to the dynasty. In the blink of an eye, personnel changes in the past hundred years, this figure has been seen by anyone. Mr. Yizhou occasionally got it, and it was worth pouring into Wanjia County. Eye tour Ishida roll, mouth chant Yizhou song. Don will be muddy, squatting on the lofty hills and ravines, and the empty fasting is like a mountain overflowing with green water. Fengchi Sheren Wei Xiangzi, who loves to paint and treasure this in his life. When Chang'an Xuejing exhibited the view, the jianghu was in full swing. Mr. GuanYan Daopu's collection of Shi Tian Weng's landscape songs are also viewed as Wu Xing Shen Zhi Qi, Wu Men Zhang Yin Gongfu, Haiyu Jin Ding Le Ya Shao, and Lishui Lü Xiang Ru. Shi 癸卯 Meng Chun obscure Day Ying Chuan Wang Yuan Fan title. Seals: Wang Yuanfanyin, Ming Sheng, Shen Zhiwenyin, Changzhou Zhang Yin, Ya Shao, Lü Xiangzhiyin, Green Rock Mountain People, Bei Shi
6. Wang Yanling Title: Mr. Shen Ishida is a Wuzhong Gaoshi of Ariake Chenghong, the title of calligraphy and painting for a while, the world called Wen Shen Tang Qiu Si is also. He was friends with Emperor Wu Wending of the Great Emperor. When Wen Ding was made a historical official, he entered the dynasty and Shi Weng made a long scroll to send it. Layered rocks, flying springs, pine wood and bamboo stones, bridges and houses, character boats and donkeys, all of them are complete. The volume diameter is five zhang, the reading is completed in three years, and the wonders of the real painting garden are also. Both dukes were honored at that time, and not only the articles and paintings were enough to summarize their lives. This is the story that has been passed down for hundreds of years, and it is still admired by people who want to see it. Yu Xiao Ruan Tongwen sent this volume, a few net windows, shown several, as if in Taoyuan, sleepwalking on Peng Island, dazzled by it. I don't know if it's in the world either. Talk about books and words on the left, with zhi cherished, not only to add this treasure ear in the painting and calligraphy. In the second year of Yongzheng (1724), when the age of November was long, the old man of Songqiao, Wang Yanling, was in the Yanshan Mansion at the age of eighty and three. Seal: Wang Lingyin, Gongfu University Scholar Seal
7. Wang Qiansun Title: Is the volume returned to the Huating Shen clan, Jiaqing Bingzi (1816) spring and March, Yu Chong over the Xiaoyuan Garden, the master of the Ten Peaks showed the view, for the life of the fortunate event. The township queen learned from Wang Qiansun Zhi. Seals: Old Tie's Later Years, Wang Qiansun, TiFu
8. Ye Daofen Title: Mr. Ishida painted a deep and beautiful, and the Tang, Song and Yuan families fought bloodily and could stand independently, not especially for the wu youming generation of clan workers, the four families of the four yuan for more than five hundred years. In the Ming Dynasty, Mr. Kai was the first to do things for Liu Guan'an, and Mr. Kai was particularly majestic in his turbidity. Mr. Miao's widow, for Wenheng Mountain to be recruited, has The strength of Mr. Wei and is still deep and indebted. Yunlin carries the reputation of the top, after the mountain tree, only Mr. is enough to deserve it. Mr. Yu Mi's paintings are numerous, such as the "Bamboo Pavilion Mountain Path" in the hometown of Ye's Meishoutang, the "Tiger Hill Map" and "Wind and Rain Return to the Boat Map" in Liu's Hanbizhuang Collection, and the "Imitation of The Great Idiot Ink Painting" obtained by Wu Guanying in Jiangyin, which are particularly exquisite works, but in the end they are not as good as this volume. The pen is full of thoughts, and the reference is like a hong bell, sounding the kite. The old crane chirped and chirped. The exhibition volume is relative, and there are more paintings outside this volume between heaven and earth. Shaoling Yun", "bold hair without regrets, waves alone and old", but Mr. This volume is enough to deserve it. Xianfeng Jianyuan (1851) Spring Day, Dian Weng Zun Zhangxin obtained this volume, with Mr. Yu as Mr. Xiang Hou to learn, rough understanding of the Six Laws, Burning incense, clear window net, not stingy to show, xiang and appraisal, honoring the book a few words, used as Dian Zhangqing Qing Congratulations, and With Zhi Yu eyes Fu Yun. It was three days after the rain in the valley of the year, and the township learned Ye Daofen's book in The Small Grass Lu north of Danfeng City, when the official Wanping Washi. Seals: Incense, Chendaofen, Seven Hinoki Houye
5. Wang Tingrupai: Remember jia noon yi is not old, the museum Wumen Hongcheng Yi department, Jia people hold this axis to sell, deposit the case for a month, steal the exhibition right, sigh the magic of the pen, starting from the Mei Dao people, and the change is extremely wonderful. Now and for eight years, I didn't expect to see it again from the division, and the fisherman re-entered Taoyuan, which was really fast. I would like to write a song to remember Xin Consolation. Received by Wang Tingru. Plutonium Seal: Tingru has read it
6. Wu-style Fenba: This picture is the famous work of Ishida Xuanhe. Zhang Qingfu's "Qinghe Calligraphy and Painting Ship" Yun, all imitation of Dong Yuan, ink on paper as new, is the tomb of the original Bobiao Nanqi, so this picture is reported. According to the inscription in the four manuscripts, it was made in three years, which is a masterpiece of life, and its descendants absolutely love it, and it is still the Light and Cloud of the Wang Clan. According to Qing Father, this volume is still hidden from the Wang clan, and it is not known when it was transferred to the Yan clan, and there is a Yan Ze seal after the volume, and there are Small Seals of Daopu at the sewing points. According to the Word Daopu, he is the son of Changshu Yan Wenjing Gongne, and is famous for his good calligraphy and painting. At the end of the volume, Wang Yuanfanguan Yan Daopu's collection of Ishida Landscape Song, inscribed in The MengChun of the Wanli Dynasty, is for the thirty-first year of the Wanli Calendar. Before and after the volume, there are Yuan Shu seal seams, all have cardinal seals, and then there are Bo Ying seals. According to yuan shu character Bo Ying, a character in the ring, Suizhou people, officials to Henan to participate in politics. Chongzhen Yihai Liukou committed a crime, and when the shushi was worried about his father, he advocated sticking to it first, and the city was complete. The Book of Poetry of the Cardinal, there are twenty volumes, the Song Ta "Sacred Order" received by Fen, the inscription of Dong Wenmin for Huanzhong Sinong, the yuan shuyin before and after, and the connoisseur of Gai YimingJi. This volume was originally the Taicang Wang clan shishou, and by the time of wanli, it belonged to the Changshu Yan clan. Chongzhen also belonged to the Suizhou Yuan clan, and to the Songjiang Wang clan at the beginning of the kingdom. Famous traces, circulated in the past, can be considered. Dian Sheng ShiZhang came out to see the show, borrowed the moon of the tenth month, because the person who knew it was in the back, to the point that his pen and ink were exquisite, and the previous people's comments had been exhausted, and they could not praise it anymore. Eight days after Xianfeng Jiayin (1854) Chongyang, Wu Shifen met in Xuannanfang. Seal of the Plutonium: Seal of ShiFen, Ode to Sun
7. Kuang Yuanbao: According to Wu Wending Gong to Chenghua Eight Years of Raising The Council, it was the age of forty-six years old when Ishida Weng was. Wen Ding ran to the funeral return, home for several years, served the north, wrote this send-off, Gai Weng fifty years outside the work also. Weng tasted the long scroll of snow scenery for Wending, and also tasted the map of the water village, which is particularly proud of his life. Now it is hidden by Master Diansheng, and it is revealed to him, and He sheng is fortunate. Subject to karma Kuangyuan. Plutonium Seal: Crane Spring Meridian Eye
8. Chen Jieqi: It is rare for Ishida Weng to paint real people in the world, and his life is proud of his pen. This painting and this poem have the grace of seeing each other, comparable to the ancients reading and reciting poems, and not a single stroke is not low-lying. Yizhou mountain poetry, Shen Bo is beautiful, Yu Weng's painting, proposed admiration, several contempt to add. Qi especially feels the heart of the ancients' teachers and friends, and is morally compatible, if this poem is worthy of the will of the wind and people, it is his people who pass it on with pictures. Thinking of its temperament embrace, I did not try to stroke the roll and sighed three times. In the first year of Xianfeng (1851), on the twenty-fifth day of the winter month, Gurudwara gave birth to a master, and he was born out of the book of life, and was honored later. On December 27, Corporal Chen Jieqi of Pengshenmen. Plutonium Seal: Chen Jieqi Character Shouqing, Lai Zhiyi Weiren also
9. Bao Xi Bao: Shen Shitian and Wu Zai'an send off the long scroll of landscape and water. Wang Shizhen's "Four Drafts of Yizhou" and Zhang Qiu's "Qinghe Calligraphy and Painting" are all written, and Qian Muzhai's "Ishida Chronicle" is also described. At the beginning, this volume was guarded by the Ming Taicang Wang Shizhen clan, and it belonged to the Changshu Wenjing Gongne family between the Wanli Calendar, and after the volume, Wang Yuanfan had the Guan Yan Dao Puzang Shitian Landscape Song, and the Daopu Wenjing Gongzi also. Chongzhen belonged to the Suizhou Yuan Shu clan, to the Zhending Liang Qingbiao clan and the Songjiang Wang Ling clan at the beginning of the kingdom, jiadaojian to the Huating Shen clan, Ren and Xu clans, and Guangxu chu to the Boxi sacrifice wine Sheng Yu obtained. In 1903, it was returned to the Han Fast. Bao Xi Ji. Seal: Bao Xi Seal Letter
Additional Paper:
Mr. Shen Shitian gave Wu Wending landscape scrolls, which were written in Wang YuanmeierYalou, a long scroll of huge works, and have long been a famous work of Xuan He. Yuanmei Changbu Remembers, Zhen Yue Qiu Bi; Passed down (to) the class, the class can be tested. In the middle of Guangxu, the Zongren Boxi sacrificed wine, with heavy gold in the Sea King Village, the first volume of Aya fell off, the sacrifice wine was heavily paid for the pool, and the mounting hand was not high, the ink gas was less damaged, and the viewer at that time sighed deeply. After the scroll returned to Yu, for more than twenty years, the treasure was lost, and its pen and ink were really enough to transcend the ancient and modern, encompassing the wonderful, not having the greatest divine powers, the greatest skill, not easy to become this hill, and stepping into this realm. I was born without a birthday, full of chaos, and the famous traces I hid were equal to smoke clouds, and now I return to my East Friend Harada with this volume, which can be described as two things; Just as the sages set aside the ground and held high, they were greatly punished by the celebration of the painting. In the early autumn of the self, changbai Baoxi question. Seal: Shen Xi Ink Edge, Chen Xi Private Seal
Wang Shizhen post paper
Collector Profiles
1. Wang Shizhen (1526-1590), ziyuanmei, fengzhou, also known as Yizhou Shanren, Jiangsu Taicang people. Jiajing twenty-six years (1547) jinshi, the chief of the punishment department, the official to the Nanjing punishment department Shangshu. Knowledgeable, gongshi ancient texts, and Li Panlong dominate the literary circle, with retro call for a lifetime, known as the "seventh son". Wang Shizhen is passionate about calligraphy and painting, and has a rich collection, leaving a large number of calligraphy and painting reviews and inscriptions in the "Four Drafts of Yizhou" and its sequels.
2. Yan Ze (Ming Dynasty Wanli), characters Dao Pu, Dao Pu, also spelled Kaiyu, the number of the Western people, Jiangsu Changshu people. Wanli ShiZhongshu Sheren, Gong Calligraphy. Yan Ne (1511-1584, Zi Minqing, Yang Zhai, Edited by Hanlin Academy, good at articles, calligraphy, and painting of flowers and birds. The fourth son, inheriting his family's studies, has a rich collection of calligraphy and paintings. The guangyun building of the library has many treasures when people "admire and chase by hand". The Yan family and Qian Qianyi are family friends and in-laws, and the Song version of the "Left Biography" collected by the Qian family is a gift from Yan Ze.
3. Yuan Shu (1600-1645), Zi Boying, Trumpet Ring Zhong, nicknamed Shi Yu, a native of Suizhou, Henan. Gong calligraphy and painting, recommended by Dong Qichang and Wang Duo. After Dong's death, most of the famous paintings in his collection belonged to Yuan Shu, such as Dong Yuan's "Xiashan Tu" volume and "Xiaoxiang Tu Volume". His poems rhyme very high, and they are sung with Qian Qianyi, Fang Yizhi, Wang Shimin and other celebrities. At the same time, he is also a close friend of Wang Jian's appreciation of calligraphy and painting, and in Wang Jian's paintings, he repeatedly mentions the situation of appreciating paintings and paintings with Yuan. According to Yuan Shu's father Yuan Keli and Dong Qichang in the same year, and also wang Duo's teacher, Yuan Shu's background in the collection has many origins with this. Zhang Geng's "Records of Paintings of the National Dynasty" begins with a biography of Yuan Shuli.
4. Liang Qingbiao (1620-1691), zi Yuli, Tangcun, Baolin, Cangyan, directly subordinate to Zhending (present-day Zhengding County, Hebei), Chongzhen sixteen years (1643) jinshi, Shunzhi first year supplement Hanlin Yuan Shu Jishi, edited, successively served as a lecturer of the National History Academy, Zhan Shifu Zhan Shi, Libu Zuo Shilang, Libu Shangshu, Punishment Department Shangshu, Baohedian University Scholar and other positions. The collection of gold stone characters and paintings of Ding Yi belongs to Jia Hai Nei, Suiyang Yuan Shu family collection "Gu Kai's Luoshen Endowment Scroll" and other fine works are all in his collection. In the early Qing Dynasty, the Liang clan was an official, and Yuan Fucheng, the eldest son of Suiyang Yuan Shu, was also an official in Zhizhou, Xinning Prefecture, Guangxi, and was a well-known shouling in the early Qing Dynasty, which contained the "Collection of Steles", and was later expelled from the manchu Qing Dynasty because of the Ming chancellor's son. The Liang clan was able to hand over the fine calligraphy and paintings of the Suiyang Yuan clan, or originated from this.
5. Wang Qiansun's signature mentions the "Ten Peaks of the Shen Clan of Huating" that is, Shen Ci. Shen Ci (1777-?), Zi Shifeng, Trumpet Xiaoyuan, Invigilator, Candidate Taichang Doctor. With the same interest as his brother Shen Shuzhi, he is also good at engraving books and gathering books, and there are many rare books of the Song and Yuan Dynasties. After Shen Shu died, he did his best to obtain the edition of the book, continued to engrave and print the book, and funded the engraving and publication of poetry works for Wang Qiansun.
6. Xu Naipu (1787-1866), character Ji Hong, character Jingya, number Diansheng, Zhejiang Qiantang people. Jiaqing Twenty-five Years (1820) List Eye. He has successively served as Guizhou Xuezheng, Jiangxi Xuezheng, Bingbu Shangshu, Gongbu Shangshu and other positions. For Jiaqing, Daoguang, Xianfeng three dynasties three moved cabinet bachelor, five degrees into the South Study. Gongshu (工書), the Second King of Xue, together with Qi Liaozao, Chen Fu'en, and Zhao Guang, was collectively known as the "Four Scholars". He is the author of the Kanki Sai Collection.
7. Sheng Yu (1850-1899), Qing Zong, Ai Xin Jue Luoshi. The word Bo Xi, the number of the meaning garden, the number one rhymes. Manchurian white flag people. In the third year of Guangxu (1877), he entered the priesthood and supervised the sake of the guanguozi. Guangxu fifteen years, resigned from the official home. His poetry and golden stones are well-known. For more than ten years after his retirement, he was obsessed with poetry and classic evidence. He is the author of "Yuhua Pavilion Relics Collection" and "Yiyuan Wenluo" and so on.
8. Bao Xi (1871-?), Ai XinJue Luoshi, Zi Ruichen, Yi Zuo Rui Cheng, Shen Xi, Qingzheng Blue Banner Man. In the eighteenth year of Guangxu (1892), he entered the priesthood, studied politics in Shanxi, served as an adviser to the Presidential Office of the Republic of China, participated in the government of the Senate, etc., and wrote poems and calligraphy, and wrote "Journey to the East Poetry Grass".
9. Tingyong (1853-1900), Clan Office. The character Shaomin, a work of Shaomin, the trumpet painting nest, the nickname Xishan Gangster. Chong'enzi. The officials are directly subordinate to the envoys to protect the governor. GongshuZong northern Wei. Good at painting landscapes, the first Fa Wang Yi, later in and out of Wang Shimin, Wang Jian, and shang peep Ni, Huang, Cang Run Xiuyi, gathered the pen end.
Collection seal
Profiles of other inscriptions and inscriptionists:
1. Zhang Jiuyi (1533-1598), zi shufu, zhou tian, xincai (present-day henan) people. In the thirty-second year of Jiajing (1553), he entered the priesthood and was given the title of Zhi County of Huangmei (present-day Huangmei, Hubei), and was the governor of Ningxia. Be friendly with Wang Shizhen.
2. Cheng Yingkui, a Native of Yushan during the Ming Dynasty, also known as Fusheng, is a Chinese poet. Official zhongshu sheren. Seal the real grass, all work. Handwritten engraving has been printed by Liang Qiuzi's Commentary on the Inner and Outer Scenes of the Yellow Court.
3. Zhou Tianqiu (1514-1595), character Gong Flaw, No. Youhai, Yi zuo Xianhai, also known as Liu Zhisheng, Qunyushanren, Qunyushanqiao, Suzhou, Jiangsu. Erudite and knowledgeable, he is famous for poetry, calligraphy and painting. As a teenager, he studied calligraphy under Wen Zhengming. Good size seal, ancient li, line kai.
4. Wang Yuanfan (Ming Wanlijian), character Mingsheng, a native of Jizhou, Hebei. All beings. He once traveled with friends to the famous mountains and rivers. In his later years, he lived in Jizhou City, built a house called "Scattered Wood Zhai", and built "Fuji Xuan" to collect ancient and modern books. Zhao Lingyong's "Jiangcun Qiu Xiaotu" is known after the volume, and Zhao Shizhen, a friend of Yuan Fan, brought this painting to the Xuanxiang Mountain House in the twenty-eighth year of the Wanli Calendar (1600), and looked at it with Wang Shi and wrote inscriptions successively. This volume also has Zhang Yin's stamp and no inscription. Zhang Yin was famous for his paintings, and he was also good at painting, and he made friends with Wang, who praised his paintings in poetry.
4. Wang Yanling (1642-1725), the character 颛士, the number Maohu, the late songqiao old man. Brother Wang Hongxu. In the fifteenth year of the Kangxi Dynasty (1676), he entered the priesthood, and was appointed by Dr. Taichang to raise Hongbo, and was appointed to the Hanlin Academy, and was an official to a university scholar. The calligraphy is fragrant, beautiful and energetic.
5. Wang Qiansun (1755-1817), character Nianfeng, Yizi Fengbo, Tifu, Tiefu, Yunfang, Lengjiashan people, Jiangsu Suzhou people. Qianlong summoned people for fifty-three years. Officials to Huating teachings. The book imitates Liu Yong, and the poetry work is in the ancient style of five words. He is especially famous for his calligraphy.
6. Ye Daofen (Qing), zi junlan, number xiangshi, Jiading (now part of Shanghai) people. The officer is directly subordinate to the judge. Cheng Tinglu disciple. Gongshan shui figure, good at calligraphy, and Qin Yiting, Yu Chengde Kejingshi Yu Songjun'an painting club.
7. Wang Tingru (1804-1852), zi shuqing, Qing Qing, Jiangsu Yizhengren. In the twenty-fourth year of Daoguang (1844), he changed his name to Shu Jishi and was taught editing. The calligraphy and paintings are all Fasson, with a pen calm and moist, sometimes like Cha Mei Valley.
8. Wu Shifen (1796-1856), zi zi mo, number chanting sun. Shandong Haifeng people. Michiko Jinshi (道光進士), a retired official to the Cabinet Scholar and Ceremonial Attendant. The study of fine rhyme and the study of the golden stone is better than the examination.
9. Kuang Yuan (1815-1881), characters such as, Hequan, Shandong Jiaozhou people. In the twentieth year of Daoguang (1840), he entered the priesthood and edited the official. Later, he served as the deputy examiner of the Jiangxi and Shanxi township examinations and the same examiner of the examination. After the dismissal, he lectured at Luoyuan Academy. In the leisure of the teachers, he is entertained by painting things and is good at writing landscapes and rivers.
10. Chen Jieqi (1813-1884), character Shouqing, number Of Zhai, Shandong Weifang people. One of the most famous epigraphers of the Qing Dynasty. Collecting bronzes, seals, stone carvings, pottery bricks and tiles, you must examine their origins, consider their value, and be especially good at ink tuo. He is the author of "Ten Bells Mountain House Seal", "Collection of Interpretation and Printing of The Golden Stone Characters of The Temple", etc.
11. Sun Yuwen (1833-1899), character Laishan, No. Chi'an, Shandong Jining people. Xianfeng six years of the list. Fine identification, work calligraphy. Former officer and military aircraft minister, Bingbu Shangshu. Yuwen Ke.
Shiraishi Ong, painted Saint also. Or this volume is especially the painting of Wang Ye. Regardless of Dai Wenjin and Tang Bohu, that is, the famous masters of the Shengguo Kingdom can reach it, or the Eastern Song Map can be used to fox the Lord Qi Alliance, but it is thirteen paintings, each of which is one. This volume is like the Yangtze River, a thousand mountains sandwiched, when it is weng's first stroke.
— Wang Shizhen's "Sending Wu Wending Line Map and Volume"
In the past Shen Clan Qi Nan for the original Bo Taishi to give a picture of the Wing, its paintings are all imitation of Song Xueweng, and the Beiyuan envoy family law is mixed at times, which can be described as a person's ingenuity. The color cover of the first set is the ascension of the nine autumns, and the verses are made of three spring scenes, which seems to be difficult to understand. Yi Qi Nan Pan Zhen began when the Western Emperor Si Quan, to the day when the Eastern Emperor issued the order, Tai Shi began to act in Ye, otherwise it was rare to look at Zhu Chengbi suspiciously. However, looking at the calligraphy and paintings in detail, and producing a prime-age handwriting, it is undoubtedly the first divine product of Qinan. Can make my family Immortal Mountain Pavilion roll can not be dedicated to the front, rather than the world's famous and famous. Pretend to be narrated and hidden, so as to be caesarean section. If I wish to be a Qinan Cao Qiu Yan, then I dare not. Shi Taichang Era Jiaping Eight Days True Jin Zhai Book.
—Zhang Ugly's "True Deeds"
Mr. Ishida painted a deep and beautiful, bloody battle with the Tang, Song and Yuan families and the banner of independence, not especially for the Wu Wu Youming generation of clan workers, the four families of the four yuan for more than five hundred years.
— Ye Daofen's "Send Wu Wending Line Drawings and Volumes" Hong Kong Lawrence Auction, Appraisal 186 (8247) 4297
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From the beginning of 2017, the Shanghai Ancient Books Publishing House photocopied and published the "Chunhua Ge Ti", the ancestor of the Thousand Year Heaven fa Ti of the Suiyang Yuan Family Collection in the Shanghai Library, followed by the official donation of the famous painting "Xi'an Map" to the Metropolitan Museum of Art in the United States to leave China forever, and then to one of the three treasures of the Liaoning Provincial Museum, one of the nine major museums in China, "Song Ren Gu Kai's Luoshen Futu" was selected for CCTV's "National Treasure", and at the end of the year, there was another article and "Shen Shitian Sent Wu Zai'an Xingtu and Title" Jiade Qiu auctioned 150 million yuan to win the end, and the four treasures that sensationalized the collection of cultural relics in one year are all from the Ming Dynasty Suiyang Shangshu Yuan family collection, and each piece is a treasure.
It is a literature content on the article "Shen Shitian Sent Wu Zai'an Xingtu and Title" in the process of writing, which referred to and absorbed the literature content of the article "Shen Shitian Sent Wu Zai'an Xingtu and the Inscription Scroll Appeared in The Autumn Auction of China Jiade", and the text was carefully discussed and discussed, and the inherent parts of the fragments could not be changed and could not be changed, and it is hereby explained to show a high degree of affirmation and gratitude for the examination and research work of the article. (Author Yuan Jiashan)
